Refining

These two days I mainly refined the internal behaviour of the patch.

Originally, every parameter moved together with the compass angle, which made the whole loop react as one messy blob.

Now I re-defined each layer so they behave independently:

• Bass:
  Limited the filter range so it stays in a stable low-frequency zone with only small movement.
• Pad:
  Widened the sweep range so it opens slowly and feels like spatial flow.
• Drum:
  Fixed the low-cut so the kick doesn’t disappear when the angle changes;
  now only micro-movements remain.
• Resonance:
  Limited to a very small range to avoid harsh peaks—
  now it feels like textural adjustment instead of an effect switch.

I also compressed the LFO speed and depth into a more “musical” range. I don’t want random shaking, I want it to fill the gaps of the compass input.

Now the whole patch feels much more consistent, and more like a system that can be performed or exhibited.