I worked on the most experimental sections. Distortion, resonators, spring noise and glitch effects began transforming the throat-singing beyond recognition.
It felt powerful but also risky. Sometimes the sound crossed a line and became just noise.
I kept adjusting until each transformation still carried a trace of the original breath and resonance. I added metallic elements that suggest machines and infrastructure.
The moment where the sound breaks made the narrative feel more dramatic. Technology appears not only as a tool but as an intruder.
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