I began the final mix. Spatial movement, loudness balance and transitions were refined so the journey feels continuous. 

I removed unnecessary narration and kept words minimal. The sound is the argument. I noticed how the project changed my own listening habits. 

At the beginning I heard Khoomei mainly as a cultural signal. Now I hear it as vibration, as a structure of harmonics that can survive radical transformation. 

The work is finished, but the questions remain. What does tradition become when it moves into machines. And what kind of listener does that machine create.


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